Saturday, April 27 -Sunday, June 23, 2024
*Exhibits will be changed during the exhibition.
[1st Term] April 27-May 26 [2nd Term] May 28-June 23
During the long peaceful days of the Edo period (1603–1868), humans interacted with animals in various ways in the course of their daily lives. A rich tapestry of animal life was on display, with animals reared by humans, working alongside their human masters, or roaming free in nature, for instance.
When the American zoologist Edward S. Morse came to Japan in 1877, he was surprised by how kind and respectful Japanese people were to animals. In his diary, he wrote about how the townsfolk would try to step over or otherwise avoid cats and dogs on the street. He also recounted how people would affectionately use the honorific“san” when talking to animals. The works in this exhibition reveal how dogs, cats, oxen, horses, chickens and other creatures were a much more familiar presence in our lives back then, with animals treated as friends and colleagues.
The history and culture of the intertwined lives of humans and animals are principally explored here through the rich collection of the Tokyo Metropolitan Edo-Tokyo Museum (currently closed for renovations). The exhibition is based on Un Bestiaire Japonais 2–Vivre Avec les Animaux à Edo-Tokyo (XVIIIe-XIXe Siècles), a highly-acclaimed exhibition that the Tokyo Metropolitan Edo-Tokyo Museum staged in Paris in 2022 on the 25th anniversary of the Maison de la culture du Japon à Paris. The contents have now been expanded to mark the exhibition’s triumphal return to Japan. These include ukiyo-e woodblock prints of people enjoying their lives with animals, for example, and everyday items with designs featuring our furry and feathery friends. We hope these convey a sense of the richness of this coexistence and the preciousness of the bounteous natural environment that nurtured it.
Georges Bigot, Asa: Japanese Dinners (DINER JAPONAIS), 1883, Tokyo Metropolitan Edo-Tokyo Museum [2st Term]
Georges Bigot, Asa: Japanese Dinners (DINER JAPONAIS)
Utagawa Hiroshige, One Hundred Famous Views of Edo: Procession for the Tori-no-ichi Festival, Asakusa-tanbo, 1857, Tokyo Metropolitan Edo-Tokyo Museum [2st Term]
Utagawa Hiroshige, One Hundred Famous Views of Edo: Procession for the Tori-no-ichi Festival, Asakusa-tanbo
Tsukioka Yoshitoshi, Thirty-Two Daily Scenes: ‘Looks Annoying’, Mannerisms of a Girl from the Kansei Period, 1888, Tokyo Metropolitan Edo-Tokyo Museum [1st Term]
Tsukioka Yoshitoshi, Thirty-Two Daily Scenes: ‘Looks Annoying’, Mannerisms of a Girl from the Kansei Period
Pocket Tobacco Pouch with Embroidery of Monkey on Wisteria, Edo period, Tokyo Metropolitan Edo-Tokyo Museum
Pocket Tobacco Pouch with Embroidery of Monkey on Wisteria
Kanazawa Harukichi, Imado Doll: Cat, Taisho era – Early Showa era, Tokyo Metropolitan Edo-Tokyo Museum
Kanazawa Harukichi, Imado Doll: Cat
Assortment of Cars, 1893, The Osaragi Jiro Memorial Museum
Assortment of Cars
Utagawa Hiroshige III, True View of Horse-drawn Tramcars Coming and Going at Nihombashi Bridge, 1882, The Railway Museum [1st Term]
Utagawa Hiroshige III, True View of Horse-drawn Tramcars Coming and Going at Nihombashi Bridge
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